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. ' Released: 19 August 1980. ' Released: 31 October 1980. ' Released: 21 December 1980. ' Released: 15 March 1981 Back in Black is the seventh studio album by Australian band. It was released on 25 July 1980. In the late 1970s, AC/DC began achieving significant popularity outside their native, with high-energy live performances and a series of successful albums.
After the commercial breakthrough of their 1979 album, the band were planning to record a follow-up, but in February 1980 lead vocalist died from alcohol poisoning after a drinking binge. Instead of disbanding, they decided to continue on and enlisted vocalist, who made his recorded debut with the band on Back in Black. The album was composed by Johnson, and, and recorded over seven weeks in the from April to May 1980 with producer, whom they had previously worked with on their previous album.
Following its completion, the group mixed Back in Black at in. The album's all-black cover was designed as a 'sign of mourning' for Scott. As their sixth international studio release, Back in Black was an unprecedented success.
It has sold an estimated 50 million copies worldwide. It is one of the in music history. The band supported the album with a, cementing them among the most popular music acts of the early 1980s. The album also received positive critical reception during its initial release, and it has since been included on numerous lists of 'greatest' albums. Since its original release, the album has been reissued and remastered multiple times, most recently for digital distribution.
The band's former vocalist in December 1979. By 1979, AC/DC were poised to receive a significant level of success with their sixth studio album,. Robert John 'Mutt' Lange produced the record, making the band's sound more catchy and accessible to international audiences, and it became their first platinum album in the United States, selling over one million copies, while also peaking at number 17 on that country's pop charts and number eight in the United Kingdom. AC/DC, formed in 1973, first broke into international markets in 1977 with their fourth record,.
As the new decade approached, the group set off for the UK and France for the final tour dates of their breakthrough release. They planned to begin recording a follow-up shortly after its completion. On 19 February 1980, Scott went on a drinking binge in a London pub that caused him to lose consciousness, so a friend let him rest in the back of his overnight. The next morning, Scott was found unresponsive and rushed to where medical personnel pronounced him. The coroner ruled that of vomit was the cause of Scott's death, but the official cause was listed on the death certificate as 'acute ' and classified as '. Scott was cremated and his ashes were interred by his family at in. The loss devastated the band, who considered breaking up.
However, friends and family persuaded them to carry on. After Bon Scott's funeral, the band immediately began auditions for a replacement frontman.
At the advice of Lange, the group brought in Geordie singer Brian Johnson, who impressed the group. After the band begrudgingly worked through the rest of the list of applicants in the following days, Johnson returned for a second rehearsal. On 29 March, Malcolm Young called the singer to offer him the job, to his surprise. Recording and production.
Replaced Bon Scott as vocalist. Rehearsals for Back in Black were scheduled over three weeks at London’s E-Zee Hire Studios, but it was cut to one week when an opening came up at Compass Point Studios in Nassau, in the Bahamas. Although they preferred to record their next effort in the UK, there were no studios available, and the Bahamas presented a nice tax advantage.
Back in Black was recorded from mid-April to May 1980 at Compass Point with producer 'Mutt' Lange. Upon their arrival, the area was being hit by several, wreaking havoc on the studio's electricity. In addition, their equipment was initially held up by customs, and other gear was slowly freighted over from the UK. Johnson felt pressure during the process, having never recorded with the group. None of Scott's writings were used for the album's lyrics, as the group felt it would seemingly profit from his passing.
Johnson reported having trouble adjusting to the environment, and even referenced the bad weather on the opening lines of 'Hells Bells' ('I'm rolling thunder, pourin' rain. I'm comin' on like a hurricane. My lightning's flashing across the sky. You're only young but you're gonna die.' Lange focused particular attention on Johnson's vocals, demanding perfection out of each take.
Back in Black was recorded in, the capital of. The general attitude in the studio was optimistic. Engineer Tony Platt was dismayed, however, to find the studio's rooms were not sonically complimentary to the group's sound, which was designed to be very dry and compact.
A humorous anecdote from the sessions involved a recording being interrupted by random crab shuffling across the studio's wooden floor. Angus Young's particular guitar sound was achieved in part by a wireless guitar device, the, a design which provided a signal boost and was reissued as a separate guitar effect in 2014.
Near the end of the process, the band phoned manager Ian Jeffery in search of a bell to include on the album. Jeffery located a foundry to produce the bell, but with seven weeks having already gone by, he suggested Platt record a nearby church's bells. These recordings did not suffice due to the sound of a flurry of birds flying away at each bell hit. The foundry brought forward production on the bell, which turned out perfectly tuned, and it was recorded with.
Following the recording's completion, the group mixed Back in Black at in. According to, the album's all-black cover was a 'sign of mourning' for Scott. Disagreed with the cover, but accepted if the band put a grey outline around the AC/DC logo.
Release and promotion Back in Black was first released in the United States on 25 July 1980. Its release in the United Kingdom and the rest of Europe followed on 31 July, and on 11 August in Australia. It was an immediate commercial success, debuting at number one on the and reaching number four on the —which called 'an exceptional showing for a heavy-metal album'. It topped the British chart for two weeks and remained in the top 10 of the American chart for more than five months.
In Australia, it reached number two on the. After Back in Black was released, AC/DC's previous records Highway to Hell, and all re-entered the British charts, which made them the first band since to have four albums in the British Top 100 simultaneously. Back in Black 's American success prompted Atlantic, the band's US record company, to release their 1976 album for the first time in the US; in May 1981 it surpassed Back in Black on the US chart at number three. To promote the album, music videos were filmed for the songs 'You Shook Me All Night Long', 'Hells Bells', the title track, 'Rock and Roll Ain't Noise Pollution', 'Let Me Put Love Into You', and 'Shoot to Thrill'. Only the first four were released as.
In the US, the single 'You Shook Me All Night Long'/'Have a Drink on Me' became AC/DC's first Top 40 hit in the country, peaking at no. On 13 December 2007, the album was certified 22× by the, denoting 22 million American sales. This placed it sixth in the list of best-selling albums in the US. The album has also sold one million or more copies in Canada, Germany and France. Worldwide, it went on to sell 50 million copies, leading journalist to call it 'the biggest selling hard rock album ever made'; rock historian Brock Helander said it was possibly 'the best-selling heavy-metal album in history'. Critical reception Retrospective professional ratings Review scores Source Rating B− 8/10 5/5 8/10 Reviewing for Rolling Stone in 1980, regarded Back in Black as 'not only the best of AC/DC's six American albums' but 'the apex of heavy-metal art: the first LP since that captures all the blood, sweat and arrogance of the genre.'
Red Starr from was more critical, finding the songs indistinguishable from one another and marred by hypermasculine fantasies, rock music stock phrases, garish guitar, and dull rhythms, on 'yet another triumph for lowest common denominator headbanging — the new thoroughly predictable, thoroughly dreadful AC/DC album.' He gave the record a score of 3 out of 10. In a retrospective review, Rolling Stone critic Christian Hoard praised the album as the band's greatest work, possibly 'the leanest and meanest record of all time — balls-out that punks could love.' Barry Walters from Rolling Stone said Back in Black 'still sounds thoroughly timeless, the essence of unrepentantly simple but savagely crafted hard rock' and 'a celebration of thrashing, animal sex', although he observed 'mean-spirited sexism' on songs such as 'What Do You Do for Money Honey' and 'Given the Dog a Bone'. Was less enthusiastic, finding the band somewhat too 'primitive' and their sexual imagery 'unimaginative'. 'Angus Young does come up with killer riffs', he wrote in (1990), 'though not as consistently as a refined person like myself might hope, and lead singer Brian Johnson sings like there's a cattle prod at his scrotum, just the thing for fans who can't decide whether their newfound testosterone is agony or ecstasy.'
Of acknowledged it was 'a preposterous, drongoid record. Built on casual sexism, eye-rolling double entendres, a highly questionable attitude to sexual consent ('Don't you struggle/ Don't you fight/ Don't you worry/ Cos it's your turn tonight') a penchant for firearms, and a crass celebration of the unthinking macho hedonism that killed the band's original singer.' Nonetheless, she concurred with Fricke's original view of the album as a heavy metal masterpiece while naming it her favourite album ever, 'the obsessive soundtrack of my adolescence, the racy middle-brow thriller that spoke to me both as a tomboy who wanted to be one of the guys, and the increasingly female ingenue who needed to work out the world of men. Plus teenagers love death.' The album is featured on many 'best of' lists.
In 1989, it was ranked No. 26 on Rolling Stone magazine's list of the 100 Best Albums of the Eighties. The title track was ranked no. 190 on the same magazine's list of the 500 Greatest Songs of All Time. In 2001, ranked Back in Black No. 82 on its list of the Top 100 Albums.
VH1 also placed the title track at No. 2 on its list of the 100 Greatest Hard Rock Songs. In 2003, the album was ranked No. 77 on Rolling Stone 's list of '.
In 2006, placed the album at No. 9 in its list of the 40 Best Albums of the '80s. It was listed at No. 2 in the book, in October 2010, and included in the book in 2005. Legacy and influence Back in Black is an influential hard rock and heavy metal album.
According to of, it has been hailed by some as 'a high watermark' for heavy metal music. Regarded it as an important release in 1980s metal and heavy rock, naming it one of the 20 best metal albums of its decade, while ranked it as one of the 20 greatest heavy metal albums of all time. Paul Brannigan of cited it as one of the ten albums that helped reestablish the genre's global popularity in 1980, making it 'the greatest year for heavy metal'. According to rock journalist Joe S. Harrington, Back in Black was released at a time when heavy metal stood at a turning point between a decline and a revival, as most bands in the genre were playing slower tempos and longer guitar solos, while AC/DC and adopted punk rock's 'high-energy implications' and 'constricted their songs into more pop-oriented blasts'. Harrington credited producer Lange for drawing AC/DC further away from the blues-oriented rock of their previous albums, and toward a more dynamic attack that concentrated and harmonized each element of the band: 'the guitars were compacted into a singular statement of rhythmic efficiency, the rhythm section provided the thunderhorse overdrive, and vocalist Johnson belowed and brayed like the most unhinged practitioner of bluesy top-man dynamics since vintage.' The resulting music, along with contemporaneous records by and, helped revitalize and reintroduce metal to a younger generation of listeners, 'eventually resulting in the punk-metal crossover personified by and others.'
In (2008), said Back in Black 's 'lean mean arena rock' and the production's 'delicate balance of power and finesse' defined the commercial side of heavy music for years after its release.' Lange's production for the album had an enduring impact in the music industry; 'to this day, producers still use it as the de facto paint-by-numbers guidebook for how a hard-rock record should sound', Harrington wrote. In the years after its release, studios in Nashville would use it to check the acoustics of a room, while would use it to tune their sound system. American group recorded a cover of the entire album under the title. Track listing All tracks written by,.
Title Length 1. 'What Do You Do for Money Honey' 3:33 4. 'Given the Dog a Bone' 3:30 5. 'Let Me Put My Love into You' 4:16 Side two No. Title Length 6. 'Have a Drink on Me' 3:57 9. 'Shake a Leg' 4:06 10.
' 4:15 Total length: 42:11. According to the official AC/DC website and most worldwide releases, track four is 'Given the Dog a Bone'. On some albums, particularly Australian releases, it is sometimes shown as either 'Givin' the Dog a Bone' or 'Giving the Dog a Bone'. Personnel AC/DC.
– lead vocals. – lead guitar. – rhythm guitar, backing vocals. – bass guitar, backing vocals. – drums Production. –. –.
Benji Armbrister – assistant engineering. Jack Newber – assistant engineering. Brad Samuelsohn –. – (original LP). Barry Diament – mastering (original CD releases). – remastering (EMI/Atco reissue). – remastering (Epic reissue).
Bob Defrin –. Robert Ellis – Charts.
Thunderstruck 02. Shoot To Thrill 03. Fire Your Guns 05. You Shook Me All Night Long 06. Heatseeker 07. Back In Black 08. Who Made Who 09.
Hard As A Rock 10. Hells Bells 11. Moneytalks 12. What Do You Do For Money Honey 13. Are You Ready 14. Stiff Upper Lip 15.
Ballbreaker 16. Safe In New York City 17. That´s The Way I Wanna Rock´n´ Roll 18. Flick On The Switch 19. For Those About To Rock (We Salute You) CD 2 01. Highway To Hell 02. Whole Lotta Rosie 04.
Girls Got Rhythm 06. Dirty Deeds Done Dirt Cheap 07. If You Want Blood 08. It´s A Long Way To The Top (If You Wanna Rock´N´Roll) 09. Live Wire 11. Let There Be Rock 12.
High Voltage 13. Rock´N´Roll Damnation 14. Touch Too Much 15.
Jailbreak 16. Shot Down In Flames 17. Kicked In The Teeth 18.